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2 Comments

  1. Jake Redekopp
    21 December 2018 @ 9:31 pm

    I just read your comments on the Christmas song “Angels from the Realms of Glory.” I have been focusing on this song because as a family group (my grandchildren and daughter and me (Grandpa) are singing this song at a Christmas eve service. We are singing it to the tune Zion by Thomas Hastings. We have a CD by a Mennonite choir singing this tune acappella. and use it as a guide. We are also doing it acappella. Have you ever heard this song sung to the tune Zion?
    I appreciate the info on your site God Bless!

    • rcottrill
      22 December 2018 @ 10:28 am

      Good morning “Grandpa,” and Merry Christmas. And, quick answer, No, I’ve never heard Angels from the Realms of Glory sung to Hastings’ tune Zion. I sang it here at my desk, and also reviewed three other tunes suggested as alternates by the Cyber Hymnal. My conclusion (a personal opinion) is that none comes even close to Hastings’ brilliant tune Regent Square (named after the street in London on which the church he attended was situated).

      One hymn historian after another has labelled James Montgomery’s Christmas hymn as among the greatest in the English language. Robert McCutchen says, “For comprehensiveness, appropriateness of expression, force and elevation of sentiment, it may challenge comparison with any hymn that was ever written, in any language or country.” And such a magnificent hymn deserves the best musical setting we can give it.

      In some ways, this comes down to personal preference, influenced by experience and cultural background. But not entirely. Some tunes enhance the message of the words. Others tend to get in the way of it, or may outright contradict it. Regent Square fits this hymn–which on the Cyber Hymnal page has seven stanzas, with an eighth that provides a glorious Trinitarian benediction to it–fits it like a glove.

      Notice how each stanza sets a scene, in the first two lines. Then, Montgomery makes a significant comment on the scene in the last two lines of each. Hastings’ tune repeats its first two lines so we get the connection. Then, in the chorus the tune mounts to a climax with “Worship Christ, the newborn King.” As I said earlier, some personal opinion does come into this, but Regent Square has been matched with Montgomery’s hymn since 1873, and I do think it’s a wonderful pairing.